Toni Morrison is a wonderful author providing insights into
a world rather lightly discussed, the plight of African-Americans. In this book, Sula, Morrison sets this story in Northern Ohio during the 1920s
through the 1960s. Like many of her
other stories, there is a dark side to the story and a rather complicated depth
to her characters. The story begins by
introducing the character, Shadrack, who is released from a mental facility
after serving in the military and witnessing death and destruction during the
war and then sets off to Medallion, his home while growing up. The two main
characters, Sula and Nel are childhood friends, from rather different family
situations, Nel from a stable family life, while Sula lives in a home that
houses visitors and her non-traditional family.
The two girls lives go in very different directions, Nel settles down
and gets married, while Sula disappears after her mother is killed in a burning
accident. Before her departure she is involved
in a freak “accident,” the twirling of a neighborhood boy over the river, who
slips from her hands and drowns. The
series of strange incidents involving Sula creates a “shadow” of mystery and
evil from which others want to avoid. It
comes full circle upon Sula’s return to Medallion and takes her friend’s
husband, Jude, out of Nel’s arms by bedding down with him while Nel goes out,
yet returns to find the two of them in her bedroom. The citizens of the town
are fearful of Sula and all that they believe she does. Just as the community was
driven out of the valley from the white townspeople, it is driven out of the
valley years after Sula dies, which reminds the people of her ongoing hold over
them even in her death. Morrison’s
depiction of the complexity of the time is best illustrated in Sula and how she
is seen as a villain as she takes away “things” from others, just as the white
population does from the African-American community. This is a relatively brief
read with a complex characters intertwined in a place that is supposed to
provide relief from the racial divide. A darkness of death is profound in
Morrison’s stories. The brutality
throughout the story reflects some of Morrison’s own life, being alone, yet the
hope for escape from the hands that contain and strangle. A strong portrayal of
the on-going challenges of race in an unfair society. Worth picking up, as are her other stories.
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