Having read one of the author’s books previously, I was
somewhat aware of what I’d be reading this time. I was not surprised as the style and language
was on target from his last book, The
Brief and Wondrous Life of Oscar Wao.
This book, This is How You Lose Her
by Junot Díaz, was a collection of short true-life reflections (stories) about
relationships that didn’t work out… his own, his brother’s, and also a buddy of
his. Diaz’s Dominican background is
weaved throughout the various stories: male/female communication, religion,
drugs, and of course the sex! One of the
main storylines woven into the nine short stories (all with a different woman
as the cheated-on partner -- were named after these women) was Junot’s older
brother Rafa. Rafa and Junot immigrated
to the US when they were young, traveling with their mother to be reunited with
their father who had been away for five years.
The stories are not sequenced chronologically, but do seem to build
nicely on one another. What we learn as
the stories progresses is the influences in Junot’s life and how the
relationship of men in his life affected how he treats women. His father, whom only appears in one story,
and his brother, who appears in most of the stories, both seem to go through
women with relative regularity. They
never seem that committed but are eager for new conquests and better sex
partners. One of the clear impacts on
his life is when Rafa is diagnosed with cancer.
His life changes, for a while, and looks for a woman to settle down with
(contrary to his earlier behavior). Crossroads for Junot has a similar impact
on him, as he hits a point in time with a physical ailment that leads him to
find commitment. My favorite stories
were the “best-friend” thinking: he fathered a son while visiting DR, the
demise of Rafa, and Junot’s struggles while teaching at MIT. Certainly the lessons shared by Junot
include: Dominican men seeing women as physical objects rather than life
partners, growing up in his world included drugs, sex, and women, and dreams
for people who lived in his world are created very differently that the
“American dream.” Diaz offers an
intriguing look into the Dominican world of the 1980s/90s and one that seems
unreal to have moved beyond – based on Diaz’s success as an educator and
writer. The language is raw and the
stories are sad to read, illustrating so much self-abuse and certainly abuse of
others. Not everyone will enjoy this
one.
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